Mitsuyo Seo In 1945 the Imperial Japanese Navy in order to the film Momotaro’s Divine Warrior of the sea It was the first Japanese anime film manga full length to create. It was as a propaganda tool for the Japanese. It is thought that this film largely inspired by the animated Fantasy 1940 West.
Much of this industry has suspended during the occupation of Japan by the United States. In time, in 1958 incorporated with Toei Animation history of the white snake again. These and other films from Japan at this time is very influenced by the productions of The Walt Disney Company.
But in 1968, Isao Takahata Hols, Prince of the Sun, the model in which the film emphasizes the idea of a director, as amended to make the animation rather than with a kind of inspiration.

In 1984, Hayao Miyazaki’s Nausicaa of the Valley of the Wind is important for the promotion of these films. Released in North America Warriors of the Wind, this film was observed not only for its amazing animation, but also for its strong message of ecology. to integrate these affect not only the form of Japanese entertainment for the concerns of real life, but also to try to make movies of anime’s most luxurious.

In the 1980 Katsuhiro Otomo of Akira manga hit series has created. In 1988, a film adapted from the anime manga success. Although this film was very popular outside of Japan was a commercial failure in Japan because of its high budget. This was also worked for other manga cartoons of the decade of 1980, where he try more in production.

Today Manga Anime movies are still made and are still popular. The 2004 film Innocence: Ghost in the Shell was presented in Cannes. Many of Miyazaki films broke all box office records in Japan as well.

Manga anime films are remarkable in the history of Japanese entertainment. These films were influenced by manga and Western influences.
But over the years, these films become influenced by the ideas, including some outside the manga.
Foreign animation has become very popular in different parts of the world and one of the best anime-manga. All kinds of different types of anime and manga have been. One of the most popular of them is the super robot manga anime. This genre became popular in Japan and inspired a variety of programs.
The concept of robot anime manga super easy. What happened here is that a single hero or a group of heroes, a giant robot or a series of giant robots that can be combined into a super-wide struggle to control. The parties are usually inside the robot and the control actions of the robot and brain function as a practical device. This guy should be noted that the initial history of ideas, the mysterious.
A typical Super Robot Animation in foreign works in a simple manner. Due to the mysterious origin of the super robot one of these programs, there is almost no reference to a source. Instead, it focuses on an evil format week. Here’s the super robot or robots and their controllers is to fight and defeat an enemy during an episode. In most cases, these enemies in connection with a large enemy that can not wait until the last episode of the series will be fought. Villains who are stronger or more important, the villain largely post-season or milestones to be avoided in the series.
This format has indeed become an other animation programs in recent years in other countries.
In 1956 he founded the  Iron Man series Mitsuteru Yokoyama 28th of this series would go on television as Tetsujin 28-go, which is known outside Japan as Gigantor. This is considered the first of these super-robot. Mazinger Z Go Nagai, the was first introduced in the form of manga and anime in 1972, was a big influence.

In the 1980′s Force Five series of foreign animation has become very popular outside of Japan. These programs include Grandizer and Spaceketeers Dangard Ace. Shogun Warriors toy line from Mattel has also become popular. In addition, in the mid-1980s cartoon Voltron: Defender of the Universe was very poplar in North America. This program was a condensation of some other super robot programs, including Kiko Kanta Golion Dairugger and XV.

Super Robot Anime Manga is one of the unique forms of outdoor entertainment. This style of anime is that to control the handling of the heroes of the giant robot. As easy as it sounds, the concept has become one of the most successful anime always do.

The best place for you to see different aspects of Japanese cartoon art is in the various Manga comics. Here you can see the beauty that is part of the comic story. While the colors are part of what makes these art pictures look so alive, it is the depth of feelings which can be seen with the facial expressions, the arm movements and the way that the entire body looks that brings these cartoons alive.

Another way that Japanese cartoon art has a more lifelike look is by the way the colors are used to denote emotions. For instance you will find that anger is shown by a red face and cheeks that seem to be bursting out. The other items which you will see to provide emotional response in Japanese cartoon art is the way the eyes are portrayed.

Unlike other cartoon art the eyes of the various Japanese cartoon art forms are detailed to show the different emotions that are a part of living. While seeing these details are a good way to feel the depth and range of emotions there are many other things which are going on behind these main characters.

In order to really understand the beauty of Japanese cartoon art you should look at one of the anime or manga desktop drawings. Here you will see the vibrant colors or subtle shadings of black and white pictures. Sometimes there will be one than one picture found on the desktop picture.

You will also see how the colors that are used in the Japanese cartoon art blend together. Since these are reasons why you can see movement in otherwise still drawings this may explain why people love watching and reading comics and anime shows that show lots of great Japanese cartoon art.

As you look at the ways that Japanese animators and storytellers use Japanese cartoon art you will be able to appreciate the subtle lines that show the tale. In each of these art forms you will see how far these Japanese cartoon art can take animation to the next level.

Yep for cool stuff that 99 percent of the time will never be used in mainstream markets, Japan is the place to go. It’s the one percent that really does work however that excites me the most. The Sony PlayStation has been the market leader since its inception and the gaming industry as a whole is a multi, multi billion pound yearly business. In fact Japan’s economy alone generated £120 billion through the sale of publishing, games, films and music in 2006 alone. The cars are fast becoming market leaders too. Gone are the days of reliable vehicles that looked like a baby had styled it – enter the simply stunning Nissan GTR or Honda’s most successful hot-hatch the Civic Type R (this unlike the robot is available at your Honda dealer).

The reason why the latest cars from Japan are so well styled whilst maintaining the build quality and reliability you’d expect from the country is that they’ve embraced their culture, which to Western society is, well, bonkers. We’ve all seen the clip shows on TV that showcase the mad game shows Japan have as entertainment. In the UK you answer a few questions correctly and you win some money. In Japan you answer a few questions correctly and then you only have to eat ten snakes, jump through fire and have your leg chopped off to win the big prize.

Then there’s the Bosozoku. Essentially they were a motorcycle gang that started in the mid fifties, but thanks to Manga comics and Anime films such as Akira, the image has been glamourised so the modern day Bosozoku are more style than actual gang fighting and neighbourhood terrorising. They have also branched out to modifying cars with crazy features such as exhausts that reach skywards and end above the roofline. Japanese culture is the perfect ying and yang – they work really hard, they play really, really hard.

You can see now why channelling all the above into a car such as the Nissan GTR is pretty exciting. You have the reliability and build quality from the hard-working Japanese culture, the mad styling from the Manga culture and the incredible handling and on-board computer wizardry from the gaming culture. You can see these elements filtering through to many Japanese car-makers and most notably across their range, Honda.

When judging a car brand, I like to see what their entry-level car is and if that’s good then it’s a good rule of thumb to assume this standard is maintained as the pound signs increase. Using this logic and a trip to your Honda dealer will bring the Honda Jazz before you. It’s a fun little hatchback from the styling to the way it drives around town. In fact it’s not too dissimilar to Doctor Who’s Tardis. Admittedly the Jazz doesn’t transcend time and space, but it’s far bigger on the inside than its exterior would have you believe. The front and rear lights wrap around both ends and a simple arched line down the side completes the shape. It is once again Japan in microcosm: small, functional and stylish.

There are two engines available, a 1.2 litre unit or a 1.4 VTEC litre version. The later is also available with a 6-speed i-SHIFT gearbox that is semi automatic. The funky features don’t end there, with the Jazz offering a panoramic glass roof, a refrigerated glove box and iPod connectivity. Crucially your Honda dealer will take pride in declaring the Jazz emitting just 130g/km CO2 and returning a combined fuel consumption figure of 51.4mpg. The Jazz is cheap to run then, but it’s reasonable to buy in the first place, with prices starting at £9,990 in the UK.

The verdict on the Jazz then is a glowing one. Obviously I’d love a Nissan GTR to embrace my love of all things Japanese, but to suit my wallet and I’m sure the vast majority of readers, nip to your Honda dealer for a sm

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Are in that any stand alone blue beam players out near that can work approaching a PS3?
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Part of the draw that anime possesses is the fact that they can target wide ranges of viewers. This is due to the fact that animes are not confined to one category, but run the entire gamut of genres, including action, sci-fi, drama, romance, horror, and yes, even erotica. Many animes do not limit themselves to one particular genre and mix genres together.

Animation itself allows anime creators to convey just about any storyline they desire. It is much easier to make a cartoon about large robots featuring huge action and destruction sequences than it is to produce a live-action film including the same things. With recent advances in CGI animators have even more power to transfer their wildest imaginations on to a screen. Storylines, characters, and settings are limited only to what creators can conjure up in their minds.

Though animes seem to be simple cartoons on the surface, many of them have deeper storylines and character development. This may be conveyed through the use of character-based flashbacks, which portray part of a character’s past to the viewer, allowing them to understand why they act a certain way or say the things they say. Juvenile humor may be thrown in sporadically in drama-based animes, but do not be surprised if you see poignant and profound character development in humor-based animes as well.

Needless to say, not all animes are just cartoons for kids. In fact, the majority of animes feature violence, sexual innuendos, and language that may not be suitable for children. This is likely a major reason why anime’s popularity has exploded in the past few years across the world. With animes, cartoons are no longer just for kids, and even adults can find themes of romance and drama that they might otherwise find only in real-life television shows. The unique blend of animated characters with more mature themes is undoubtedly an enticing combination for adult-viewers.

Most anime series find their foundations in manga, or Japanese comics. These mangas are usually a few episodes ahead of the actual television series and have become popular among international audiences as well.

When animes are released in theaters, on television, or on DVDs in countries outside of Japan, distributors must decide whether they want to use subtitles or dubbed voices. There are pros to both sides of the issue, and there are strong proponents of both. Some viewers enjoy watching their anime without having to read words on the bottom of the screen, which they say take away from the visual pleasures of the anime. Others prefer to hear the original voice acting and enjoy reading the more literal translations. DVDs offer both sides a satisfying medium, as they allow for either subtitles or English voice tracks.

Now that you know the basics of anime and its history, it is time to find the right animes for you. There are countless resources on the Internet that give recommendations and reviews of numerous anime series, many of which are readily available on DVD and even on television stations. Pick a genre, read up on reviews and summaries of shows that you are interested in, and enjoy.

Happy hunting.

Anime

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Mega Man / Rockman
Format
Anime series
Created by
Keiji Inafune
Starring
Ian James CorlettJim ByrnesKathleen BarrRobyn RossScott McNeilGarry ChalkTerry Klassen
Country of origin
JapanUnited States
No. of episodes
27
Production
Running time
25 minutes
Broadcast
Original channel
first-run syndication TV Tokyo
Original run
September 11, 1994 December 10, 1995
Mega Man was an animated television series co-produced between Japan & United States and is based on the game series of the same name. It was created by Ruby-Spears Productions and both animated and written in Japan by Capcom themselves. The series began in 1994 and ended in December 10, 1995 (the series was released in both Japan and America simultaneously), and was aired on many syndicated stations at the time. Two seasons were produced with a third planned but never realized.
Plot
Dr. Light and Dr. Wily were brilliant scientists in the field of robotics, who worked together in a laboratory trying to advance the science. One day, they finished an extremely advanced prototype, but shortly after being activated, it started destroying the laboratory. Dr. Light immediately believed that the prototype’s guidance system, which Dr. Wily had personally programmed, was the source of the problem and concluded they would start over again. Angered, Dr. Wily attempted to steal the plans later that night, but Dr. Light catches him. Wily is able to steal the plans after knocking Dr. Light down, and goes off to what is apparently an abandoned area, and modifies the old robot prototype into Proto Man.
Later, Dr. Light builds Rock and Roll, advanced robots with personalities, along with Ice Man, Guts Man, and Cut Man. Dr. Wily and Proto Man go and steal the robots, reprogramming the later three robots as henchmen. Dr. Wily attempts to reprogram Rock and Roll at his lab later, but Rock decides to trick Dr. Wily. He tells Dr. Wily that Dr. Light also built “super warrior robots”, and that if Rock and Roll are let go, he’ll tell him how to defeat the robots. Rock uses this lie (Dr. Wily believing robots can’t lie) to cause a distraction and escape with Roll. Dr. Light decides to reprogram and reoutfit Rock into Mega Man, who from then on keeps the world safe. This tale is told in Episode 1, “The Beginning”.
Throughout the episodes, Mega Man thwarts Wily’s various schemes, in a similar fashion to that of the “Super Friends”, usually ending with Rush acting like Scooby Doo.
History
Mega Man starred in a Saturday-morning style cartoon that premiered in 1995. The show was made by animating company Ruby-Spears, which redesigned the characters from the Mega Man video games to varying degrees. At the time the show was undergoing its early development, anime had not yet achieved a “mainstream” acceptance, plus the producers felt the look skewed too young for the retro-80′s-style action-adventure cartoon they had in mind. The final look of the characters was among many different interpretations proposed and was the most well-received by test audiences (it is worth noting that characters who appeared for the first time in season two were considerably more faithful to the original models, only given slightly different proportions and the occasional nose). The series was targeted towards the late preteen boy audience, though Roll’s expanded and much more active role in the series was calculated to try and draw in more girl viewers as well (producer Joe Ruby joked “Also, it showed we’re not male chauvinistic pigs as our wives think”). X, along with Vile, Spark Mandrill, and “Cigma” (Sigma) made a guest appearance late in the second season, and was planned to make more appearances in later shows, with the potential for his own spinoff cartoon as well.
Despite consistent high ratings and being a series producers Joe Ruby and Ken Spears really enjoyed working on, the show was canceled after two seasons. A single post-season-two episode was created to complete Ruby-Spears’ contractual obligations; no true “season three” plans had been put into motion at the time of the cancellation. The decision to end the cartoon was handed down from Capcom, most likely due to merchandising pressures from toy-partner Bandai, which cut several other popular toy lines at the time short due to not meeting sales expectations (including The Tick, Sailor Moon, and Dragon Ball).
Promotional show and change in design
Prior to the show’s premiere a short animated promo was released which utilized a graphic-style more similar with the graphic design of the games. When the show was being produced, the designs of…(and so on) To get More information , you can visit some products about , . The sell men’s leather shoes products should be show more here!

There are some common types of otaku in Japan and in the world, and these are the anime otaku, the manga otaku, the pasokon otaku, the gemu otaku, the wota, and the gunji otaku.

Anime Otaku

Anime Otaku are people who practically live, breathe, and eat anime. They watch anime whenever they can, and think about anime whenever they can’t. They are the die-hard fans of anime series. A common example would be those people who wear hitai-ate’s or konoha forehead protectors in pubic for no particular reason. They’re the ones who idolize Naruto so much that they add ‘dattebayo’ to the end of every sentence. They’re the ones who wear schoolgirl uniforms even when it’s not a school day. They’re the ones who know all the information about their favorite series and can recall even the minutest detail at any given time.

Manga Otaku

Oftentimes, anime otaku are also manga otaku, as anime shows are usually derived from manga. And therefore those who watch anime usually read the manga too. Manga refers to the Japanese comic books. Manga Otaku are the ones who can be found waiting for the bookstores to open early in the morning so that they can get first dibs on the latest releases of their favorite manga. The term can also be extended to the obsession in doujinshis. A Doujin (short for doujinshi) is a fanmade comic book, an unofficial spin-off from the official manga, more often than not portraying the life of a character. They’re released by a bunch of doujin circles, talented artists who devote their time making these doujinshi.

Pasokon Otaku

Pasokon otaku are people who are obsessed with their personal computers. They’re like tech-geeks, always itching to get their hands on the latest gadgets and gizmos for their computers. They’re so knowledgeable about computers that they would probably be accepted into Microsoft without having to bat an eyelash. They usually own their own weblogs and their own websites and might even know how to make their own games. It’s also very rare to find a pasokon with 20/20 vision.

Gemu Otaku

Gemu otakus are those who are obsessed with video games of any genre. Roleplaying games, MMORPG’s (massively multiplayer online games), action games, shoot ‘em up games, platform games, puzzle games, dance revolution, guitar hero, strategy games, racing games, sports games, dating games… you name it, they play it.

Wota

Wota are those who are addicted to their ‘idols’. They’re addicted to pop icons, pretty pop princesses, boy bands, etc.

Gunji Otaku

Gunji otaku are those who are obsessed with anything related to the military such as guns, strategies, tanks, planes and helicopters.

There are still tons of other types of Otakus, but the main idea here is obsession onto a certain hobby or things. That’s pretty much it on the explanation in the term Otaku in a nutshell, hopefully you’ve learned something new about it.

For those of you who are not familiar with the world anime, anime are 3D cartoon characters, they come in all sizes, shapes  and colors. Some people are fascinated and obsessed by anime characters. Anime toons are loved by teenagers of various age groups and even by adults.

In the world of Television, now days the world revolves around television, almost each and every household owns a television and watching television is a daily affair. And that cartoon is so special for you, that you just cannot think of anything else. The cartoon characters and the whole lot of things appear so real, you identify with that cartoon, you feel a sense of identity with the anime character. It is a world wide phenomenon. Television has become way to important for us, we cannot imagine life without television.

Anime was started in Japan, as cartoons for the Japanese community, and now it has spread world wide. Dating many years back to 1917. Anime characters have been fairly popular in Japan and now they are loved everywhere too.

Anime wallpapers for all different screen resolutions. Find your favorite anime characters wallpaper in great screen resolution. Now you never have to miss your favorite character, you can always have them as your wallpapers.  The website has all anime characters neatly arranged so you can find them easily, and the website updates almost every week with the newest and the latest in anime world.

For those of you who are not familiar with the world anime, anime are 3D cartoon characters, they come in all sizes, shapes  and colors. Some people are fascinated and obsessed by anime characters. Anime toons are loved by teenagers of various age groups and even by adults.

In the world of Television, now days the world revolves around television, almost each and every household owns a television and watching television is a daily affair. And that cartoon is so special for you, that you just cannot think of anything else. The cartoon characters and the whole lot of things appear so real, you identify with that cartoon, you feel a sense of identity with the anime character. It is a world wide phenomenon. Television has become way to important for us, we cannot imagine life without television.

Anime was started in Japan, as cartoons for the Japanese community, and now it has spread world wide. Dating many years back to 1917. Anime characters have been fairly popular in Japan and now they are loved everywhere too.

If you are not familiar with your intended audience, in your pre- program research you might ask, ‘How diverse is your group? Or do you have members from other countries?’ The answers to these questions will help you plan your strategy for connecting with a particular audience.

I was doing my planning for a speech in Baltimore, Maryland and found out that twenty-five percent of the audience was Asian Indian. I knew nothing about the Indian culture and didn’t have long to plan. What I did know was the Dunkin’ Donut store near my home was owned and run by Indians. That was a good excuse to stop in, down a few eclairs, and do some research. I told the proprietor what I was trying to accomplish and he was glad to help. Out of all the information he gave me about humor in India, I only used one line. That was all it took to connect. The line was, ‘I want to tell all my new Indian friends I’m sorry Johnny Lever couldn’t make it.’ Johnny Lever was one of the top comedians in India. They lit up and I went on with the program.

If your local donut shop isn’t run by the appropriate nationality for your next speaking engagement, don’t worry. There are other sure-fire methods to get the information you need. If you are speaking outside the US, get the opinion of local people before you attempt to use humor. If you are speaking in the U.S., seek out members of the nationality to whom you are speaking. If you don’t happen to know any, you can always call their embassy. I’ve called our State Department, The World Bank, Voice of America and many other public agencies for information. Just tell the receptionist you want to speak to someone from the country of interest. Don’t forget to tell them you want to converse in English.

In Hong Kong you would never beckon someone by putting your hand out and curling your index finger back and forth. Why? Read on.

When speaking to foreign audiences you must check your humor carefully so you don’t accidentally offend someone. In some countries you may hear people openly joking on television or in public about subjects that would be taboo in the U.S. That doesn’t mean you can attempt to joke about the same subjects in your presentation.

Even if your speaking humor is OK, you need to become familiar with other customs in the country in which you are speaking. Customs are quite different around the world. It is easy to make mistakes when you are in a totally new environment. You’ll never get the audience to laugh if you accidentally do something offensive. A good resource that gives you a fun look at customs in other countries is the book ‘Gestures: The Do’s and Taboos of Body Language Around the World’ by Roger Axtell. This book gives lots of information on things to do and not to do in public when in a foreign country. Here’s just a few serious mistakes that could easily be made during a speaking engagement that would offend:

1. In Columbia if you wanted to show the height of an animal you would hold your arm out palm down and raise it to the appropriate height. If you are trying to show the height of a person, you do the same thing, but your palm is on edge. So, if you meant to show the height of a person, but you did it palm down as we normally would in the U.S., you would have either insulted the person by treating he or she like an animal or you would have confused your audience because they would now think that you were actually talking about an animal that had the name of a person. See how crazy this can get.

2. I’ve got another animal problem for you. In Hong Kong, Indonesia and Australia you would never beckon someone by putting your hand out and curling your index finger back and forth (like you might do to coax someone on stage with you). This gesture is used to call animals and/or ladies of the night and would be offensive to your audience.

3. In Latin American and the Middle East people stand much closer while conversing. If you were interacting with a person from one of these cultures during a public speaking engagement and you backed away to keep a normal U.S. personal space, you would be sending a very unfriendly message. Asians, however typically stand farther apart. Your understanding of this will keep you from chasing them all over the stage. Keep this in mind too if you go into the audience to interact with them. Since they are seated, you control the interpersonal space.

Sometimes your mistakes are funny. Hermine Hilton, the well known memory expert, tells of a speaking engagement in Nigeria where she tried to pronounce the names of members of the audience and innocently added sexual innuendo. She said everyone was falling on the floor with laughter. Most foreign audiences do appreciate your effort to speak their language.

Here’s a few more international public speaking tips I’ve run across:

1. You might think you are putting your audience to sleep in Japan, but don’t worry. In Japan it is common to show concentration and attentiveness in public by closing the eyes and nodding the head up and down slightly. — Then again, maybe you really are boring.

2. Applause is accepted as a form of approval in most areas of the world. In the United States the applause is sometimes accompanied by whistling. If you hear whistles in many parts of Europe, you better run because it is a signal of disapproval.

3. If you were finishing a speaking engagement in Argentina and you waved goodbye, U.S. style, the members of the audience might all turn around and come back to sit down. To them the wave means, ‘Hey! Come back.’ In other parts of Latin American and in Europe the same wave means ‘no.’

The book I previously mentioned has hundreds of tips that will help keep the audience on your side when you present outside the U. S. Another good and inexpensive source of international background information is the ‘Culturgram’ published by the David M. Kennedy Center for International Studies, which is part of Brigham Young University, located in Provo, Utah.

Each ‘Culturgram’ is a four page newsletter that gives you an easy to understand overview of the country of your choice. It includes customs and common courtesies, along with information about the people and their lifestyle. References point you toward additional study resources. Currently ‘Culturgrams’ are available for 118 countries.

Visual

Regardless of one’s nationality and culture, cartoons and comic strips are the most universally accepted format for humor. A good resource is Witty World International Cartoon Magazine by Creators Syndicate 310-337-7003. If you are speaking to a small group you can hold up the magazine or pass it around. If you want to use the cartoon or comic strip in a visual, you may need permission from the copyright holder. Always read the caption for a foreign audience and give them time to mentally translate what you say. It may take what seems to be forever (4-6 seconds) for the idea to sink in.

Cartoons and comic strips are seen in newspapers and magazines in most areas of the world. Newsstands in large cities usually have foreign periodicals, or you may find them in large libraries. It might be fun to collect cartoons and comic strips when you travel so you have a ready supply when you need one for a speech.

Be careful about your selection of cartoons. Many American cartoons would totally bomb if used outside the U.S. Much of our humor is based on making fun of someone else. This type of humor is not understood in most areas of the world and is considered disrespectful.

Other forms of visual humor that transcend most cultural barriers are juggling and magic. I don’t do either, but good resources are available. Speaking With Magic is a book by Michael Jeffreys that not only teaches you simple tricks, but gives you the points you can relate to the trick. I got my copy from Royal Publishing, Box 1120, Glendora, CA 91740 Phone (626) 335-8069. For juggling and other magic books call or write for Morris Costume’s Catalog, 3108 Monroe Road, Charlotte, NC 28205 Phone (704) 332-3304. There is a charge for the catalog, but it’s worth it.

Words

Terminology is different in most areas of the world even if the country is English based. Highly tested humor that would work anywhere in the U.S. may fall flat in another country simply because the audience doesn’t understand one of the words. For example, in Australia, public speaking break out sessions are called syndicates. If you were making a joke that used the word syndicate, you may totally confuse the audience and they won’t laugh. People from most other countries will not relate easily if you mention miles per gallon or miles per hour. You should avoid speaking about seasons, sports figures or celebrities that don’t have world-wide name recognition. Rethink all humor you normally use and try to find problematic words. This is difficult to do by yourself. Try to find a person familiar with the local culture to help you.

When using translators, humor is tougher because timing and word play don’t translate well. You might have to slow down considerably because of interpretation. Some speakers use half sentences to keep up the pace. This is very difficult and requires practice.

Speakers have been known to have fun with interpreters (of course, I would never do this). An unnamed speaker I know purposely mumbled to his interpreter to see what would happen. The interpreter mumbled back. Then the speaker mumbled again. It was hilarious.

Even when the audience speaks English they may not be able to understand your accent. Check with locals to see if you can be easily understood. You may have to adjust your normal delivery and rate of pitch slightly.

Art Gliner, a long- time humor trainer, gave me this tip: He learns how to say Happy New Year in the different languages represented in his audience. That technique always gets a laugh and the further away it is from New Years, the better. He also tells me a word of welcome in the native language works well too.

A few additional tips from around the world:

* In general, Asians tend not to show excitement. Thais are an exception. They want to have fun while they learn. Be sure to take lots of small gifts to give out and be prepared to receive some too.

* Do not expect standing ovations when speaking in public in Australia. It doesn’t seem to be part of their culture.

* Remember -the U.S. is the foreign country when you speak outside its borders. Lots of things can be different and you should be prepared. Many countries have different standard paper sizes and use two hole punches instead of three. Any video you plan to use must be converted to PAL. You may need a converter to operate equipment you bring with you.

* South of the border people don’t like us to refer to ourselves as Americans. We must remember that we are not the only ones. There are North Americans, Central Americans and South Americans.

* In Japan you should never use self-effacing humor during your public speaking engagement which is well received in American culture. Actually, the Japanese don’t like humor in seminars at all. Conversely, Australians love humor.

The point is that every culture has its likes and dislikes when it comes to humor. They also have customs that can be very different from our own. Your knowledge in this area will help you create a connection with your international audience. You must do your homework, but it is worth it because a laugh sounds the same and produces the same good feelings in any language.

Learn to make a home run presentation everytime!